| The weirdness of contemporary Greek cinema E Varmazi Film International 17 (1), 40-49, 2019 | 10 | 2019 |
| Chiaroscuro Alleys, Psychological No-Way-Outs and Urban Space in Classic Film Noir. E Varmazi, ŞF Erensoy Ileti-s-im, 2017 | 4 | 2017 |
| Debates about the generic ontology of film noir E Varmazi, F Kaya Catalan journal of communication & cultural studies 12 (1), 145-152, 2020 | 2 | 2020 |
| Reflecting anxieties during the first twenty years of the twenty-first century: Three European cinematic waves E Varmazi, ŞF Erensoy, GEÖ Tahan International Journal of media & cultural politics 17 (1), 35-51, 2021 | 1 | 2021 |
| Meekness is not Weakness: Memory as Resistance in Hulu’s The Handmaid’s Tale (2017- ) EV F KAYA Global Media Journal TR Edition 10 (20), 232-245, 2020 | 1 | 2020 |
| Ambiguous storytelling in three texts: unsettling the perception of reality D Karaosmanoğlu, E Varmazi, T Hepdinçler Text & Talk 36 (5), 519-539, 2016 | 1 | 2016 |
| Taste, memory and cooking recipes in fictional TV series: The case of Samurai Gourmet (2017) E Varmazi Journal of Popular Television 12 (1), 93-102, 2024 | | 2024 |
| The Unusual Dystopia of “Never Let Me Go”(2010) E Varmazi More After More. Essays Commemorating the Five Hundredth Anniversary of …, 2017 | | 2017 |
| From Theater to Film: the Case of Ancient Greek Tragedy E Varmazi Telling and Re-telling Stories, 62-78, 2016 | | 2016 |
| Still Carré: o δραματουργικός ρόλος της στατικής φωτογραφίας σε ταινίες μυθοπλασίας: σκηνοθετικές προσεγγίσεις Ε Βαρμάζη University Studio Press, 2010 | | 2010 |
Şirin Fulya ErensoyFilm University Babelsberg Konrad WolfVerified email at filmuniversitaet.de
