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Frank Weij
Frank Weij
Verified email at eshcc.eur.nl
Title
Cited by
Cited by
Year
“These Critics (Still) Don’t Write Enough about Women Artists” Gender Inequality in the Newspaper Coverage of Arts and Culture in France, Germany, the Netherlands, and the …
P Berkers, M Verboord, F Weij
Gender & Society 30 (3), 515-539, 2016
292016
The politics of musical activism: Western YouTube reception of Pussy Riot’s punk performances
F Weij, P Berkers
Convergence 25 (2), 287-306, 2019
202019
Western solidarity with P ussy R iot and the T wittering of cosmopolitan selves
F Weij, P Berkers, J Engelbert
International Journal of Consumer Studies 39 (5), 489-494, 2015
142015
Artivist reception on Twitter: Art, politics and social media
F Weij, P Berkers
Information, Communication & Society 26 (8), 1618-1636, 2023
52023
Genderongelijkheid in de dagbladberichtgeving over kunst en cultuur. Een vergelijkende studie van Frankrijk, Duitsland, Nederland en de Verenigde Staten, 1955-2005.
P Berkers, M Verboord, F Weij
Tijdschrift Sociologie 10 (2), 124-146, 2014
52014
Geopolitics of Artivism: Evaluation of artivism in the art and media domain in cross-national context
F Weij
2021
Winds of Change? Longitudinal Trends and Cross-National Differences
P Berkers, J Schaap
Gender Inequality in Metal Music Production, 27-45, 2018
2018
Dominique Caubet, Shouf Shouf Hollanda: succesvol en Marokkaan
F Weij
Volume!. La revue des musiques populaires, 194-196, 2016
2016
“These Critics (Still) Don’t Write Enough about Women Artists”: Gender Inequality in the Newspaper Coverage of Arts and Culture in France, Germany, the Netherlands, and the …
F Weij, M Verboord, P Berkers
Gender and Society 30 (3), 2016
2016
Accepted manuscript of: Weij, Frank. 2016. Shouf Shouf Hollanda: succesvol en Marokkaan. Volume! 13 (1): 194-196.
F Weij
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