| A simple, accurate wall loss filter for acoustic tubes J Abel, T Smyth, JO Smith Proc. Int. Conference on Digital Audio Effects (DAFx-03), London, UK, 2003 | 22 | 2003 |
| Toward an estimation of the clarinet reed pulse from instrument performance T Smyth, JS Abel The Journal of the Acoustical Society of America 131 (6), 4799-4810, 2012 | 16 | 2012 |
| A novel face-tracking mouth controller and its application to interacting with bioacoustic models GC De Silva, T Smyth, MJ Lyons arXiv preprint arXiv:2010.03265, 2020 | 14 | 2020 |
| Estimating waveguide model elements from acoustic tube measurements T Smyth, JS Abel Acta Acustica united with Acustica 95 (6), 1093-1103, 2009 | 14 | 2009 |
| The sounds of the avian syrinx—are they really flute-like? T Smyth, JO Smith DAFX 2002 Proceedings, 2002 | 14 | 2002 |
| The syrinx: Nature's hybrid wind instrument T Smyth, JO Smith Journal of the Acoustical Society of America 112 (5), 2240, 2002 | 14 | 2002 |
| Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism. T Smyth, JO Smith III NIME, 112-115, 2002 | 13 | 2002 |
| Automatic calibration of modified fm synthesis to harmonic sounds using genetic algorithms M Macret, P Pasquier, T Smyth | 12 | 2012 |
| The feathered clarinet reed T Smyth, J Abel, JO Smith Proceedings of the International Conference on Digital Audio Effects (DAFx …, 2004 | 12 | 2004 |
| Trombone synthesis by model and measurement T Smyth, FS Scott EURASIP Journal on Advances in Signal Processing 2011, 1-13, 2011 | 11 | 2011 |
| A generalized parametric reed model for virtual musical instruments T Smyth, JS Abel, JO Smith III ICMC, 2005 | 11 | 2005 |
| Convolutional synthesis of wind instruments T Smyth, JS Abel 2007 IEEE Workshop on Applications of Signal Processing to Audio and …, 2007 | 8 | 2007 |
| The estimation of birdsong control parameters using maximum likelihood and minimum action T Smyth, JS Abel, JO Smith Proceedings of SMAC 3, 413-416, 2003 | 8 | 2003 |
| Applications of bioacoustics in physical modeling and the creation of new musical instruments T Smyth, JO Smith Proc. of ISMA 2001, Int. Symposium on Musical Acoustics, 2001 | 8 | 2001 |
| Estimating the Reed Pulse from Clarinet Recordings. T Smyth, JS Abel ICMC, 2009 | 7 | 2009 |
| Waveguide simulation of neolithic Chinese flutes P De la Cuadra, T Smyth, C Chafe, H Baoqiang Proc. Int. Symp. on Musical Acoustics (Perugia, Italy, September 2001), 181-4, 2001 | 7 | 2001 |
| Spectral distortion using second-order allpass filters G Surges, T Smyth Proceedings of the Sound and Music Computing Conference, 525-531, 2013 | 6 | 2013 |
| Observing the effects of waveguide model elements in acoustic tube measurements T Smyth, J Abel 152nd Meeting of the Acoustical Society of America (ASA), 3331, 2006 | 6 | 2006 |
| A musical controller inspired by the cicada’s efficient buckling mechanism T Smyth, JO Smith Journal of New Music Research 32 (4), 361-368, 2003 | 6 | 2003 |
| Generative audio systems using power-preserving all-pass filters G Surges, T Smyth, M Puckette Computer Music Journal 40 (1), 54-69, 2016 | 5 | 2016 |
Julius SmithProfessor of Music, Stanford UniversityVerified email at stanford.edu
