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Pip Laurenson
Pip Laurenson
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Authenticity, change and loss in the conservation of time-based media installations
P Laurenson
Tate papers 6 (6), 2006
2672006
The management of display equipment in time-based media installations
P Laurenson
Studies in Conservation 49 (sup2), 49-53, 2004
762004
Collecting performance-based art: new challenges and shifting perspectives
P Laurenson, V Van Saaze
Performativity in the gallery: Staging interactive encounters, 27-41, 2014
712014
Old media, new media? Significant difference and the conservation of software-based art
P Laurenson
New collecting: Exhibiting and audiences after new media art, 73-96, 2016
452016
Mind the gap: rigour and relevance in collaborative heritage science research
C Dillon, N Bell, K Fouseki, P Laurenson, A Thompson, M Strlič
Heritage Science 2, 1-22, 2014
352014
Emerging institutional models and notions of expertise for the conservation of time-based media works of art
P Laurenson
Technè. La science au service de l¡¯histoire de l¡¯art et de la préservation ¡¦, 2013
282013
Developing Strategies for the Conservation of Installations Incorporating Time-Based Media with Reference to Gary Hill's Between Cinema and a Hard Place
P Laurenson
Journal of the American Institute for Conservation 40 (3), 259-266, 2001
222001
The conservation and documentation of video art
P Laurenson
Modern art: Who cares, 264, 1999
171999
Designing for inconsistency–the dependency-based PERICLES approach
JY Vion-Dury, N Lagos, E Kontopoulos, M Riga, P Mitzias, G Meditskos, ...
New Trends in Databases and Information Systems: ADBIS 2015 Short Papers and ¡¦, 2015
142015
An Ontology Design Pattern for Digital Video.
P Mitzias, M Riga, S Waddington, E Kontopoulos, G Meditskos, ...
WOP, 2015
122015
Vulnerabilities and contingencies in the conservation of time-based media works of art
P Laurenson
Inside Installation: Theory and Practice in the Care of Complex Artworks ¡¦, 2011
122011
Developing strategies for the conservation of installations incorporating time-based media: Gary Hill¡¯s between cinema and a hard place
P Laurenson
Tate Papers 1 (1), 2004
112004
Performativity in the gallery: staging interactive encounters
M Leino, L MacCulloch, O Remes, L Campbell, M Chatzichristodoulou, ...
Critique d¡¯art, Livres collectifs, 2014
92014
Practice as research: unfolding the objects of contemporary art conservation
P Laurenson
Maastricht University, 2016
72016
Ontology-based representation of context of use in digital preservation.
E Kontopoulos, M Riga, P Mitzias, S Andreadis, TG Stavropoulos, ...
WHiSe@ ESWC, 65-72, 2016
62016
The Live List: What to Consider When Collecting Live Works
P Laurenson, C Berndes, H Folkerts, D Franssen, A Glew, P de Haan, ...
Collecting the Performative Network, January 24, 2014
62014
Bridging the gaps between theory and practice through cross-institutional collaboration in the conservation of contemporary art
P Laurenson, V van Saaze, R van de Vall
Engaged humanities: rethinking art, culture, and public life. Amsterdam ¡¦, 2022
52022
Dependency modelling for inconsistency management in Digital Preservation–The PERICLES approach
N Lagos, M Riga, P Mitzias, JY Vion-Dury, E Kontopoulos, S Waddington, ...
Information Systems Frontiers 20, 7-19, 2018
52018
Between cinema and a hard place: The conservation and documentation of a video installation by Gary Hill
P Laurenson
AIC 28th Annual Meeting, Philadelphia, Pa, 2000
52000
Finding photography: Dialogues between anthropology and conservation
H Geismar, P Laurenson
Max Planck Research Library for the History and Development of Knowledge, 2019
42019
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