| The ambiguous tactus: Tempo, subdivision benefit, and three listener strategies PA Martens Music Perception: An Interdisciplinary Journal 28 (5), 433-448, 2011 | 60 | 2011 |
| Spontaneous sensorimotor coupling with multipart music. BK Hurley, PA Martens, P Janata Journal of Experimental Psychology: Human Perception and Performance 40 (4 …, 2014 | 56 | 2014 |
| Tactus in Performance: Constraints and Possibilities P Martens Music Theory Online 18 (1), 2012 | 13 | 2012 |
| Glenn Gould's" Constant Rhythmic Reference Point" PA Martens Music Theory Online 13 (4), 2007 | 11 | 2007 |
| Beat-finding, listener strategies, and musical meter. PA Martens | 9 | 2005 |
| Ways of Knowing the Body, Bodily Ways of Knowing PA Martens Music Theory Online 22 (2), 2016 | 8 | 2016 |
| Musical structure: Time and rhythm P Martens, F Benadon The Routledge companion to music cognition, 115-127, 2017 | 7 | 2017 |
| Music training correlated with visual but not phonological foreign language learning skills P Martens, K Nakatsukasa, H Percival Proceedings of 14th International Conference on Music Perception and …, 2016 | 3 | 2016 |
| How Near Will You Hear? A Response to Benadon," Near-unisons in Afro-Cuban Ensemble Drumming" P Martens Empirical Musicology Review 11 (2), 202-203, 2017 | | 2017 |
| Pitch and Rhythmic Succession in German folksong, 19th-century art song, and classic rock melodies P Martens, J Albrecht | | |
| Metric Structure, Performer Intention, and Referent Level P Martens | | |
Petr JanataProfessor of Psychology, UC DavisVerified email at ucdavis.edu
