Kim Vincs
Cited by
Cited by
Rhizome/MyZone: A case study in studio-based dance research
K Vincs
Practice as research: Approaches to creative arts enquiry, 99-112, 2007
Body armor, performance, and physiology during repeated high-intensity work tasks
B Larsen, K Netto, D Skovli, K Vincs, S Vu, B Aisbett
Military medicine 177 (11), 1308-1315, 2012
Dancing between diversity and consistency: Refining assessment in postgraduate degrees in dance
M Phillips, C Stock, K Vincs
Australian Teaching and Learning Council, 2009
Snapshots of complexity: using motion capture and principal component analysis to reconceptualise dance
K Vincs, K Barbour
Digital Creativity 25 (1), 62-78, 2014
Teaching a digital performing agent: Artificial neural network and hidden markov model for recognising and performing dance movement
J McCormick, K Vincs, S Nahavandi, D Creighton, S Hutchison
Proceedings of the 2014 International Workshop on Movement and Computing, 70-75, 2014
Identifying regions of good agreement among responders in engagement with a piece of live dance
E Schubert, K Vincs, CJ Stevens
Empirical Studies of the Arts 31 (1), 1-20, 2013
Touching space: Using motion capture and stereo projection to create a “virtual haptics” of dance
K Vincs, J McCormick
Leonardo 43 (4), 359-366, 2010
In the heat of the moment: audience real-time response to music and dance performance
CJ Stevens, RT Dean, K Vincs, E Schubert
Coughing and clapping: Investigating audience experience, 69-87, 2014
Learning to dance with a human.
J McCormick, K Vincs, S Nahavandi, D Creighton
ISEA International, 2013
Measuring audience response on-line: An evaluation of the portable audience response facility (pARF)
C Stevens, E Vincs, E Schubert
Proceedings of the 2nd International Conference on Music Communication …, 2009
Dancing doctorates down-under? Defining and assessing'doctorateness' when embodiment enters the thesis
M Phillips, C Stock, K Vincs
Dance Dialogues: Conversations Across Cultures, Artforms and Practices …, 2009
Measuring responses to dance: is there a'grammer'of dance?
K Vincs, E Schubert, C Stevens
WDA 2008: Proceedings of the 2008 World Dance Alliance Global Summit, 1-8, 2009
Follow your heart and something will come: Subjective factors in the sustainability of early to mid career contemporary dance artists
K Vincs
Dance rebooted: initializing the grid. Conference proceedings, 1-15, 2004
Rhizome/MyZone: the production of subjectivity in dance
K Vincs
Deakin University, 2001
Long-Term Memory for Contemporary Dance is Distributed and Collaborative
E Stevens, Catherine, Vincs, Kim, deLahunta, Scott & Old
Acta Psychologica 194, 17-27, 2019
On an/notations
S DeLahunta, K Vincs, S Whatley
Performance Research 20 (6), 1-2, 2015
Structure and aesthetics in audience response to dance
K Vincs
The audience experience: a critical analysis of audiences in the performing …, 2013
Effects of observer experience on continuous measures of engagement with a contemporary dance work
K Vincs, C Stevens, E Schubert
Proceedings of the 9th Conference of the Australasian Society for Cognitive …, 2010
Engagement and the'gem'moment: how do dance students view and respond to dance in real time?
K Vincs, E Schubert, C Stevens
IADMS 2007: Proceedings of the 17th annual meeting of the International …, 2007
Virtualizing Dance
K Vincs
The Oxford Handbook of Screendance Studies, 263-282, 2016
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