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Pauwke Berkers
Pauwke Berkers
Professor Sociology of Popular Music
Verified email at eshcc.eur.nl - Homepage
Title
Cited by
Cited by
Year
Gender Inequality in Metal Music Production
P Berkers, J Schaap
Emerald Group Publishing, 2018
902018
Grunting alone? Online gender inequality in extreme metal music
J Schaap, P Berkers
IASPM Journal 4 (1), 101-116, 2014
572014
Rock and roll or rock and fall? Gendered framing of the rock and roll lifestyles of Amy Winehouse and Pete Doherty in British broadsheets
P Berkers, M Eeckelaer
Journal of Gender Studies 23 (1), 3-17, 2014
472014
“Mental Health” as defined by Twitter: Frames, emotions, stigma
A Pavlova, P Berkers
Health Communication 37 (5), 637-647, 2022
382022
Mental health discourse and social media: Which mechanisms of cultural power drive discourse on Twitter
A Pavlova, P Berkers
Social Science & Medicine 263, 113250, 2020
372020
Rock Against Gender Roles: Performing Femininities and Doing Feminism Among Women Punk Performers in the Netherlands, 1976–1982
P Berkers
Journal of Popular Music Studies 24 (2), 155-175, 2012
332012
“These Critics (Still) Don’t Write Enough about Women Artists” Gender Inequality in the Newspaper Coverage of Arts and Culture in France, Germany, the Netherlands, and the …
P Berkers, M Verboord, F Weij
Gender & Society 30 (3), 515-539, 2016
302016
Ethnic boundaries in national literary histories: Classification of ethnic minority fiction authors in American, Dutch and German anthologies and literary history books, 1978-2006
P Berkers
Poetics: Journal of Empirical Research on Culture, the Media and the Arts 37 …, 2009
302009
The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry
R Everts, E Hitters, P Berkers
Creative Industries Journal 15 (1), 97-117, 2022
282022
Globalization and Ethnic Diversity in Western Newspaper Coverage of Literary Authors: Comparing Developments in France, Germany, the Netherlands, and the United States, 1955 to …
P Berkers, S Janssen, M Verboord
American Behavioral Scientist 55 (5), 624-641, 2011
272011
Assimilation into the literary mainstream? The classification of ethnic minority authors in newspaper reviews in the United States, the Netherlands and Germany
P Berkers, S Janssen, M Verboord
Cultural sociology 8 (1), 25-44, 2014
242014
Visualizing climate change: an exploratory study of the effectiveness of artistic information visualizations
U Hahn, P Berkers
World Art 11 (1), 95-119, 2021
222021
“Maybe it’s… skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content
J Schaap, P Berkers
Consumption Markets & Culture 23 (6), 599-615, 2020
212020
The politics of musical activism: Western YouTube reception of Pussy Riot’s punk performances
F Weij, P Berkers
Convergence 25 (2), 287-306, 2019
212019
Culture, Heritage, Art: Navigating Authenticities in Contemporary Hungarian Folk Singing
Z Nagy-Sándor, P Berkers
Cultural Sociology 12 (3), 400-417, 2018
182018
Valuing value in urban live music ecologies: negotiating the impact of live music in the Netherlands
A van der Hoeven, R Everts, M Mulder, P Berkers, E Hitters, P Rutten
Journal of Cultural Economy 15 (2), 216-231, 2022
172022
Theorizing the production and consumption of live music
A van der Hoeven, E Hitters, P Berkers, M Mulder, R Everts
The future of live music, 19, 2020
152020
Milestones in music: Reputations in the career building of musicians in the changing Dutch music industry
R Everts, P Berkers, E Hitters
Poetics 92, 101647, 2022
142022
youTube as a virtual springboard: circumventing gender dynamics in offline and online metal music careers
P Berkers, J Schaap
Metal Music Studies 1 (3), 303-318, 2015
142015
The appeal of contemporary protesting artists: Western solidarity with Pussy Riot and the Twittering of cosmopolitan selves
F Weij, P Berkers, J Engelbert
International Journal of Consumer Studies, 2015
142015
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