Sergi Jordà Puig

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Martin KaltenbrunnerProfessor at the Tangible Music Lab, University of Art and Design LinzVerified email at kunstuni-linz.at
Perfecto Herrera BoyerMusic Technology Group, Universitat Pompeu FabraVerified email at upf.edu
Marcos AlonsoApple Inc.Verified email at marcosalonso.com
Carles F. Julià, PhDResearcher, Universitat Pompeu FabraVerified email at upf.edu
Sebastian Mealla CincuegraniPhD Candidate, Department of Information and Communication Technologies, Universitat Pompeu FabraVerified email at upf.edu
Ross BencinaAudioMulch, PortAudioVerified email at audiomulch.com
Daniel GallardoPhd. Candidate at Universitat Pompeu FabraVerified email at upf.edu
Cárthach Ó NuanáinAndrson Music, Cork School of Music (Part of Munster Technological University)Verified email at carthach.tk
Ángel FaraldoMusic Technology Group, Universitat Pompeu FabraVerified email at upf.edu
Daniel Gómez-MarínUniversidad IcesiVerified email at icesi.edu.co
aleksander väljamäeVisiting Researcher, University of TartuVerified email at ut.ee
Robin LaneyOpen UniversityVerified email at open.ac.uk
Anna XambóSenior Lecturer, De Montfort UniversityVerified email at dmu.ac.uk
Andrew Vande MoereProfessor in Design Informatics, KU LeuvenVerified email at kuleuven.be
Emilia GómezJoint Research Centre, European Commission and Music Technology Group, Universitat Pompeu FabraVerified email at upf.edu
Gerhard WidmerProfessor of Computer Science, Johannes Kepler University LinzVerified email at jku.at
Eva HorneckerBauhaus-Universität WeimarVerified email at ehornecker.de
Paul MarshallAssociate Professor (Reader), University of BristolVerified email at bristol.ac.uk
Jordi JanerMusic Technology Group, Universitat Pompeu FabraVerified email at upf.edu
Martin TomitschProfessor and Head of the Transdisciplinary School at the University of Technology SydneyVerified email at uts.edu.au

Sergi Jordà Puig

Professor at the Department of Information and Communication Technologies, Universitat Pompeu Fabra

Verified email at upf.edu - Homepage

Computational Creativity Tangible Interaction NIME Sound and Music Computing Human Computer Interaction


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The reacTable: exploring the synergy between live music performance and tabletop tangible interfaces S Jordà, G Geiger, M Alonso, M Kaltenbrunner Proceedings of the 1st international conference on Tangible and embedded …, 2007	833	2007
reacTIVision: a computer-vision framework for table-based tangible interaction M Kaltenbrunner, R Bencina Proceedings of the 1st international conference on Tangible and embedded …, 2007	621	2007
The reactable S Jordà, M Kaltenbrunner, G Geiger, R Bencina ICMC, 2005	346	2005
Digital Lutherie: Crafting musical computers for new musics' performance and improvisation S Jordà Universitat Pompeu Fabra, Department of Information and Communication, 2005	251*	2005
The reactable*: A collaborative musical instrument M Kaltenbrunner, S Jordà, G Geiger, M Alonso Enabling Technologies: Infrastructure for Collaborative Enterprises, 2006 …, 2006	170	2006
Improved topological fiducial tracking in the reactivision system R Bencina, M Kaltenbrunner, S Jordà Computer Vision and Pattern Recognition-Workshops, 2005. CVPR Workshops …, 2005	159	2005
Reveal-it!: the impact of a social visualization projection on public awareness and discourse N Valkanova, S Jordà, M Tomitsch, A Vande Moere Proceedings of the SIGCHI Conference on Human Factors in Computing Systems …, 2013	133	2013
Instruments and players: Some thoughts on digital lutherie S Jordà Journal of New Music Research 33 (3), 321-341, 2004	126	2004
Sonigraphical Instruments: From FMOL to the reacTable*. S Jordà NIME 3, 70-76, 2003	113	2003
TurTan: A tangible programming language for creative exploration D Gallardo, CF Julia, S Jordà Horizontal Interactive Human Computer Systems, 2008. TABLETOP 2008. 3rd IEEE …, 2008	112	2008
Digital instruments and players: part I---efficiency and apprenticeship S Jordà Proceedings of the 2004 conference on New interfaces for musical expression …, 2004	112	2004
Faust music on line: An approach to real-time collective composition on the internet S Jordà Leonardo Music Journal 9 (1), 5-12, 1999	105	1999
Roadmap for Music Information Research X Serra, M Magas, E Benetos, M Chudy, S Dixon, A Flexer, S Jordà	94	2013
The reactable: tangible and tabletop music performance S Jordà Proceedings of the 2010 ACM SIGCHI 28th ACM Conference on Human Factors in …, 2010	90	2010
FMOL: Toward user-friendly, sophisticated new musical instruments S Jordà Computer Music Journal 26 (3), 23-39, 2002	87	2002
Interactive Music Systems For Everyone: Exploring Visual Feedback As a Way for Creating More Intuitive, Efficient And Learnable Instruments” S Jordà Proceedings of the Stockholm Music Acoustics Conference (SMAC03), Stockholm …, 2003	85	2003
On stage: the reactable and other musical tangibles go real S Jordà International Journal of Arts and Technology 1 (3), 268-287, 2008	83	2008
Multi-user instruments: models, examples and promises S Jordà Proceedings of the 2005 conference on New interfaces for musical expression …, 2005	74	2005
Dynamic patches for live musical performance M Kaltenbrunner, G Geiger, S Jordà Proceedings of the 2004 conference on New interfaces for musical expression …, 2004	71	2004
Acquisition of social abilities through musical tangible user interface: children with autism spectrum condition and the reactable L Villafuerte, M Markova, S Jorda CHI'12 Extended Abstracts on Human Factors in Computing Systems, 745-760, 2012	70	2012

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