| European Piano Schools : Russian , German and French classical piano interpretation and technique S Lourenço Journal of Science and Technology of the Arts 1 (2), 6-14, 2010 | 26* | 2010 |
| Three-dimensional analysis of the cranio-cervico-mandibular complex during piano performance M Clemente, S Lourenço, D Coimbra, A Silva, J Gabriel, JC Pinho Medical problems of performing artists 29 (3), 150-154, 2014 | 18 | 2014 |
| As Escolas de Piano Europeias S Lourenço Catholic University Edition 1, 470, 2012 | 15* | 2012 |
| Tendencies of piano interpretation in the twentieth century: Concept and different types of “piano interpretation schools” S Lourenço International Symposium on Performance Science, Portugal, 2007 | 13 | 2007 |
| The assessment of trapezius muscle symptoms of piano players by the use of infrared thermography S Lourenço da Fonseca, MP Clemente, D Coimbra, A Silva, J Gabriel, ... International Symposium on Performance Science, 183-188, 2011 | 11 | 2011 |
| The creative process behind Dialogismos I: theoretical and technical considerations G Bernardes, NP Pinho, S Lourenço da Fonseca, C Guedes, ... ARTECH 2012-6th International Conference on Digital Arts, 2012 | 5 | 2012 |
| Antagonism and Mutual Dependency. Critial Models of Performance and “Piano Interpretation Schools" S Cruz, R., Lourenço Journal of Science and Technology of the Arts 1 (3), 50-53, 2011 | 3* | 2011 |
| Ana Telles, Piano & Electronics. Sond’Ar-te Electric Ensemble Soloists (CD Miso Records, 2011) Ana Telles e Leonor Cardoso, Music for Two Pianos I e Music for Two Pianos II … S Lourenço Revista Portuguesa de Musicologia 2 (2), 337-346, 2015 | 2 | 2015 |
| Subjective appropriation of musical form in Schumann’s Carnaval, op. 9 TP Pereira, S Lourenço, P Ferreira-Lopes Journal of Science and Technology of the Arts 6 (2), 7-14, 2014 | 2 | 2014 |
| Jean Claude Risset’s duet for one pianist: challenges of a real-time performance interaction with a computer-controlled acoustic piano 16 years later S Lourenço Journal of Science and Technology of the Arts 6 (2), 31-36, 2014 | 1 | 2014 |
| As escolas de piano europeias no século xx: personalidade e identidade estética dos intérpretes S Lourenço ERAS: European Review of Artistic Studies 11 (3), 29-47, 2020 | | 2020 |
| Nota introdutória [a A música e o corpo] ÂMQG Martingo, N Aroso, CA Paiva, S Lourenço | | 2018 |
| A música e o corpo A Williamon, S Sousa, P Cantista, N Aroso, ÂMQG Martingo, A Salgado, ... Letras e Coisas, 2018 | | 2018 |
| O piano no Porto na viragem do século XX: O conservatório de música da cidade C Luiz, S Lourenço, P Ferreira Lopes O PORTO ROMÂNTICO, 2016 | | 2016 |
| Porto International Conference on Musical Gesture as Creative Interface: program and abstracts JO Martins, S Lourenço Universidade Católica Portuguesa, Centro de Investigação em Ciência e …, 2016 | | 2016 |
| Articulating Research in Medicine of Performing Arts with Musical Performance and Gesture MP Clemente, S Lourenço, J Gabriel | | 2016 |
| Cem anos da arte do piano: os pianistas na sociedade de concertos Orpheon Portuense (1886-2008) S Lourenço da Fonseca A sociedade Orpheon Portuense (1881-2008): tradição e inovação, 156-165, 2014 | | 2014 |
| Towards a multimodal analysis of European Piano Schools of Music Performance S Lourenço da Fonseca, LG Martins, M Wanderley, M Titts, R Megre 9th Conference on Interdisciplinary Musicology, 2014 | | 2014 |
| The Creative Process Behind Dialogismo I: Theoretical and Technical Considerations S Peixoto, N., Lourenço Artech 2012, 24-29, 2012 | | 2012 |
| Narrative in contemporary music for percussion: a preliminary study N Lourenço, S., Ferreira-Lopes, P., Aroso 2ª Forum-itinerariosmusicais-musicais-música-e-gesto, 5-8, 2011 | | 2011 |
Gilberto BernardesINESC TEC & University of Porto, Faculty of EngineeringVerified email at fe.up.pt
